THE IDOLM@STER SideM

TV13 EP/7 Oct 2017

Oshimeter

7.7
74 Ratings
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Synopsis

A newly created entertainment agency, 315 Production, specializes in scouting prospective idols who previously held other jobs. Whether they were a former lawyer, surgeon, or pilot, they had a place at the agency. As they grow to understand their new positions, they'll aim to achieve their dreams of becoming top idols!

Episode Guide

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Characters

Shiki Iseya

Nogami Shou

Touma Amagase

Jupiter's competitive leader, Touma is serious, grumpy, and dismissive of weaker idols.

Kaoru Sakuraba

Uchida Yuuma

Kyouji Takajou

Umehara Yuuichirou

Teru Tendou

A former lawyer and tokusatsu fan, Teru is a talented idol in Dramatic Stars, known for his puns.

Nakamura Shuugo

Jirou Yamashita

A lax, 30-year-old ex-science teacher and S.E.M. member who became an idol for the money, but secretly has a soft side.

Nakajima Yoshiki

Tsubasa Kashiwagi

Yashiro Taku

Rui Maita

Upbeat and quirky former English teacher Rui aims for international idol stardom with S.E.M.

Enoki Junya

Haruna Wakazato

High×Joker's sweet drummer Haruna, older than his bandmates, loves food and joined to improve his studies.

Shirai Yuusuke

Shouta Mitarai

14-year-old Shouta Mitarai is Jupiter's youngest member, known for napping and filial piety.

Matsuoka Yoshitsugu

Community Feed

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the concert finale and it delivers everything it promises. after 12 episodes of watching these units find themselves, challenge themselves, and build something real together, seeing all of them on stage simultaneously is exactly as satisfying as it should be. the show smartly gives each unit a moment rather than just doing one long performance — you get to see every group through the lens of everything you now know about them, and that context makes each performance hit harder than it would in isolation. Jupiter's place in the finale is especially well-earned — their journey from the prologue to this stage has been the quiet backbone of the whole season and seeing them perform alongside the newer idols they helped shape is genuinely moving. not a perfect finale but a warm and honest one that respects what the show built.

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the penultimate episode and the most dramatically tense of the whole run. Kaoru acting on his own and the ripple effect it sends through 315 Production is compelling precisely because the show has spent 11 episodes making you care about these people. what could feel like manufactured drama in a lesser show lands here because the motivation makes complete sense for his character — he's not being reckless or selfish, he's being true to something that defines him, and watching the rest of the agency grapple with how to respond to that is genuinely good writing. the Producer's role this episode is also at its best — not commanding but understanding, not solving but supporting. the concert is one day away and everything feels appropriately charged.

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the concert announcement episode and the one where Kaoru's quietly building subplot finally comes to a head. his secret has been simmering since episode 8 and the reveal here is handled with sensitivity — it recontextualizes things about him without making him feel like he was hiding something shameful, just something personal. the rest of the episode has the energy of a show building toward a finale — everyone is practicing hard, the announcement creates real external pressure, the stakes feel tangible for the first time. it's the best DRAMATIC STARS episode since episode 3 and Kaoru specifically gets some of his best material in the whole series here. the emotional groundwork the show has been laying all season starts paying off in earnest.

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High x Joker get their second spotlight episode and the cultural festival versus work conflict is a classic setup but the show handles it with more nuance than you'd expect. these are high school students who chose to become idols while still being students — the collision of those two worlds was always going to happen eventually and the episode takes it seriously rather than resolving it too easily. the internal disagreement within the group about what to prioritize feels real and the resolution earns its warmth because it comes from the characters themselves rather than being handed to them. the actual cultural festival scenes are funny and sweet and the eventual decision the group makes about their work commitment says something true about who they are as people.

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the reflective episode before the final push and it uses Jupiter brilliantly. watching these three men who have been through so much — the height of industry success, the fall from grace, the long climb back — look at these newer idols and remember what it felt like to be at the beginning is genuinely moving. Touma reflecting on the gap between his past self and who he is now carries real weight because the prologue episode gave us the context to understand what he went through. the parallel between Jupiter's mentorship and their own memories is drawn subtly rather than hammered home, which is the right call. the concert preparations intensifying adds urgency while the reflective tone keeps things grounded. an unexpectedly deep episode.

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the training camp episode is the show at its most purely ensemble and it's a blast. getting all the 315 Production idols together in one place to prepare for the joint concert naturally creates cross-unit dynamics the show hasn't had space for before and every interaction lands. Jupiter mentoring the newer units is particularly good — watching Touma's competitive fire bump up against the more relaxed energy of some of the other groups creates genuine comedy. the beach setting keeps everything light while the underlying purpose — everyone working on their weaknesses, everyone pushing each other — gives it actual stakes. Kaoru's quiet subplot about something he's been keeping to himself starts seeding here and it adds a nice thread of tension underneath the fun. the best ensemble episode the show has done.

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High x Joker's debut episode and the energy shift is immediate. these are high school students who formed a band and the youthful chaotic enthusiasm they bring to everything is a welcome injection of noise after the quieter register of the W episode. their promotional video shoot is comedy gold — five teenagers with strong personalities, limited experience, and maximum confidence trying to put something together is exactly as messy and charming as it sounds. the episode also does something quietly important by asking each member why they chose this path, and the answers reveal more depth than the surface energy suggests. Hayato in particular has a more complex motivation than you'd expect. High x Joker is the unit that feels most like a classic idol anime group and this episode plays to that strength without feeling generic about it.

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the W episode and the one that surprised me the most emotionally. Producer getting hospitalized from overworking is a neat structural device that brings him into contact with Aoi Yusuke and Aoi Kyosuke — twin brothers with very different personalities who share the same name and a complicated dynamic. the hospital setting strips away the performance and idol machinery and forces everyone to just be people for 23 minutes, which gives this episode a quieter, more intimate quality than anything that came before it. the brothers' relationship is sketched quickly but effectively and by the end you understand why they work as a unit despite being so different. it also gives the Producer some actual character development which the show hadn't prioritized much before this point. quietly the most emotionally layered episode so far.

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S.E.M are four former high school teachers and their debut episode at a prep school is so good because it leans fully into the absurdity of the concept while also being genuinely sincere about it. watching these men apply actual teaching instincts to their idol performance — structuring it like a lesson, reading the room like a classroom, adjusting on the fly like experienced educators — is such a clever way to show that their past lives didn't disappear when they became idols, they just found a new way to use what they know. the students in the audience going from confused to genuinely engaged mirrors the viewer's experience perfectly. S.E.M aren't the flashiest unit but this episode makes a strong case that they might be one of the most genuinely interesting ones. the comedy lands, the heart lands, the concept lands. great episode.

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the Beit episode and honestly one of the most charming standalone episodes in the whole series. Watanabe Minori, Takajo Kyoji, and Pierre helping out a local shopping district with their festival preparations is exactly the kind of low-stakes warmth that SideM does really well. Pierre in particular steals the episode — his earnest goodwill and slight language barrier create comedy that never feels mean-spirited, just genuinely sweet. the "something happens to Pierre" tease in the episode description sounds more dramatic than it actually is which is very much on brand for this show's gentle register. Beit as a unit has great energy — the contrast between Kyoji's serious exterior and the warmth he clearly has underneath, balanced by Minori's easygoing openness and Pierre's guileless enthusiasm, makes them instantly likeable. a feel-good episode done right.

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the DRAMATIC STARS debut episode and it's genuinely moving. all three of them are dealing with nerves in their own way going into their first performance but Tsubasa carries the emotional weight here — something is clearly sitting on his mind beneath the professional composure and the episode is smart enough to let that simmer rather than resolve it immediately. the backstory reveals about why each of them left their previous careers and chose this path are handled with real care. these aren't played as quirky gimmicks but as genuine motivations that feel true to the characters. the actual debut performance is satisfying in the way only a good idol anime can make a performance feel — not just as spectacle but as payoff. Kaoru's quiet steadiness balancing Teru's warmth and Tsubasa's contained emotion makes DRAMATIC STARS feel like a genuinely well-constructed unit.

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episode 2 opens up the world considerably as the rest of 315 Production starts coming into view. the central question this episode poses to every new idol is deceptively simple but actually really meaningful — who do you want to be as an idol? it's not about skills or popularity, it's about identity. and watching each unit wrestle with that question in their own way tells you a lot about who these characters are before the show has even properly introduced most of them. Jupiter's parallel storyline preparing for their next concert adds a nice layer of context too — seeing a more established group going through their own version of the same question gives the newer idols' journey more depth. the episode juggles a lot of characters but does a decent job not letting anyone feel completely invisible. the pacing is slightly rushed but the heart is there.

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the first episode does something really smart — it doesn't try to introduce you to all 18 idols at once. instead it focuses on DRAMATIC STARS and lets you breathe. Tendou Teru is a lawyer who genuinely believes his calling is to make people smile, and one night out drinking leads to him crossing paths with Kashiwagi Tsubasa and Sakuraba Kaoru through the Producer. it's a low-key premiere but it works because the concept of "professionals leaving their careers to become idols" is strong enough that you don't need explosions to sell it. Teru's warm enthusiasm immediately makes him likeable and the show wastes no time establishing that these are people with genuine reasons for being here, not just pretty faces chasing fame. not a flashy start but a solid and warm one.