kaminari★★★★★AnimeReleased at the best time.
A scared, withdrawn kid who just wants to be left alone, Yuta Okkotsu can't escape the cursed spirit of his dead childhood friend Rika. She's latched onto him as a grotesquely powerful protector, and anyone who messes with Yuta gets torn apart whether he wants it or not. Enter Satoru Gojo, the blindfolded sorcerer who's somehow both the most dangerous and most laid-back person alive, who recruits Yuta into Jujutsu High to learn how to control this curse before it kills someone permanently. There, Yuta meets Maki, Toge, and Panda — classmates who are weird in the best way — and starts figuring out that maybe he doesn't have to spend his whole life running from what happened to Rika. The emotional core here is genuinely heavy. This is a movie about grief and guilt wrapped in some of the most fluid fight animation MAPPA has ever put out, and the soundtrack ties it all together perfectly. If you liked Bleach's soul reaper battles or the emotional weight of Noragami, this hits a similar nerve but with modern production values cranked way up. It also works as a standalone — you don't need to have seen the Jujutsu Kaisen TV series first, though it'll make you want to. One movie, tight pacing, no filler, and a story that actually lands its ending.
The strongest Jujutsu sorcerer, Gojou Satoru, is known for his immense power, playful demeanor, and cocky attitude.
Portrayed by Valenzuela Cristina
Zenin heiress with superhuman strength, Maki compensates for low cursed energy with exceptional physical prowess.
Portrayed by Clark Allegra
Toge Inumaki, a quiet Jujutsu sorcerer, uses cursed speech, limiting his words to avoid harming others.
Portrayed by Mobus Xander
Yuuta Okkotsu, a Jujutsu sorcerer, is a powerful second-year Tokyo Jujutsu High student mentored by Gojou Satoru.
Portrayed by McKee Kayleigh
A powerful Jujutsu sorcerer, Suguru Geto, driven by hatred for non-sorcerers, becomes a mass-murdering curse user.
Portrayed by Lang Lex
A jovial, mutated cursed corpse panda, Panda is a tall, second-year student at Tokyo Metropolitan Curse Technical College.
Portrayed by Rudd Matthew David
This season covers Chapters 1-4 of the manga. Continue reading from Chapter 1.

kaminari★★★★★AnimeReleased at the best time.
rezeiless★★★★☆AnimeYuta was born, peak
test_1783500164665★★★★★Anime"Jujutsu Kaisen 0" was a beautifully animated adaption of Akutami's novel of the same name. I always push the narrative that this is a story about love. Love comes in many forms and can be complicated, because people are complicated. Whether we're discussing it as a feeling, emotion, or action, I enjoyed the way curses and love are talked about like they're two sides of the same coin. I love how this isn't simply Rika and Yuta's story, but also- Geto and Gojo's- and just as the events of Gojo's youth continue to haunt the rest of "Jujutsu Kaisen", I felt as if Geto and Gojo haunted the background of this movie. Not so far in the background, of course, but having had friends who've both watched this first vs. watching the main series first, the weight of their history together is persistent. I feel as if their narratives could also be described as two sides of the same coin. In addition, Akutami gives characters a depth that gets misrepresented at time, and I find that these characters, especially Gojo and Yuta, are more complicated than the anime tropes that get attributed to them. It isn't simple enough to put either of them in a box, and them as a student/mentor duo is just as compelling as Gojo's relationships with his other students. Unfortunately, this anime has always been a shining example as a victim of the way content has been consumed since the pandemic. Lots of seeing clips, leaks, and spoilers, and the general removal of the context that the events exist within. The nuance or background of specific scenes often gets stripped down, and it can go even a step further as well that while I feel as if Akutami did a great job making well-rounded characters instead of one-note tropes, there are specific tropes that are common in media that don't necessarily make it poor writing. I feel as if there can always be a good balance struck between appealing to its intended audience and what is expected of the genre while also being its own creation. One example can always refer back to the power systems in many shounen anime. These systems are not terribly unique, and I could draw a million parallels between them; however, this is an example of something I don't think is a bad thing. I think it's integral to the genre, and more of a charming feature. Wanting a completely unique story that draws no inspiration from anything and uses no devices of those stories that came before it is simply impossible, in my opinion. Obviously, it's not immune to criticism, but the criticism it faces on social media often feels unfair and as if it's trying to drive people away from it. Rewatched for Valentines' Day 2026, and I also can't emphasize enough how much work the animation does for it. It's so captivating. I can never casually watch this, as I always want to glue my eyes to the screen.
thandeezy★★★★★EP 1Perfect adaptation from the manga & a compelling soundtrack. Great character introductions and world building along with an epic conclusion. Mappa did a brilliant job with the animation.