
Norio Matsumoto
[Wiki (jp)](https://ja.wikipedia.org/wiki/松本憲生) Originating from Tatsunoko's animators training institute, where he met [Atsushi Wakabayashi](https://anilist.co/staff/105805/). Though primarily an action animator, he’s demonstrated impressive range elsewhere like in his scenes for [Haibane Renmei](https://anilist.co/anime/387/) and [Kaguya-hime](https://anilist.co/anime/16664/). He has the reputation of a fast and disciplined worker. [Toshiyuki Inoue](https://anilist.co/staff/103724/) said that he must have a “secret” for producing such a large volume of superb cuts. Though one of his earliest assignments was as an in-betweens checker for [Akira](https://anilist.co/anime/47/), his first major job was on [Ranma ½](https://anilist.co/anime/210/), working under the director of the series, [Kazuhiro Furuhashi](https://anilist.co/staff/100655/). He would collaborate with Furuhashi again on Rurouni Kenshin, [You’re Under Arrest](https://anilist.co/anime/1577/), and [Hunter x Hunter](https://anilist.co/anime/136/). Around this time Matsumoto was also mentored by [Tomohiro Hirata](https://anilist.co/staff/122071/) on [Irresponsible Captain Tylor](https://anilist.co/anime/569/). Matsumoto’s character animation is loose and full of smears, often looking like featureless masses in individual frames. He draws smoke without highlights, a tendency that earned the nickname “Norio smoke” and has been imitated by animators like [Shingo Yamashita](https://anilist.co/staff/114914/) and [Kenichi Kutsuna](https://anilist.co/staff/116007/). He occasionally storyboards his own scenes as he did for the 12th episode of [Birdy Decode:02](https://anilist.co/anime/5074/), the [third Naruto movie](https://anilist.co/anime/2144/), and episodes 31 & 85 of [Rurouni Kenshin](https://anilist.co/anime/45/). Prefers battles that take place in wide-open spaces with lots of forward momentum and background movement. Influenced by [Satoru Utsunomiya](https://anilist.co/staff/101489/) and [Takashi Nakamura](https://anilist.co/staff/102031/), and has adapted elements of their approach for a wider audience. Whenever he serves as animation director on an episode, he does a lot of the key animation work himself. He also soloed the 7th episode of [Eat-Man](https://anilist.co/anime/1704/) and the [Kuragehime](https://anilist.co/anime/8129/) ED. He failed attempting to solo the 39th episode of You’re Under Arrest, and requested his name not be on the telop despite animating the vast majority of the episode. Famous for his work on the [Naruto](https://anilist.co/anime/20/) franchise, in which he often collaborated with Atsushi Wakabayashi. As a well known animator with a wide network of connections, he regularly helps and receives help from his friends. (Source: Animators Wiki)
Known For
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Samurai X: Trust and BetrayalSet during the tumultuous Japanese Revolution, "Trust and Betrayal" chronicles the tragic transformation of a young boy into the feared assassin, Hitokiri Battousai, through the teachings of a master swordsman.
Neon Genesis EvangelionIn a future Tokyo besieged by alien invaders, a reluctant teenager must pilot a giant robot to defend humanity, confronting both external threats and his own inner demons.
Welcome to the N.H.K.A socially anxious shut-in, convinced of a conspiracy, finds an unlikely ally in a mysterious girl as he struggles to overcome his fears and re-enter society.
Beck: Mongolian Chop SquadA disillusioned teenager named Koyuki finds purpose and passion as he joins the rock band BECK and navigates the challenges of pursuing musical dreams in Japan.All Credits
View all
Samurai X: Trust and BetrayalSet during the tumultuous Japanese Revolution, "Trust and Betrayal" chronicles the tragic transformation of a young boy into the feared assassin, Hitokiri Battousai, through the teachings of a master swordsman.
Neon Genesis EvangelionIn a future Tokyo besieged by alien invaders, a reluctant teenager must pilot a giant robot to defend humanity, confronting both external threats and his own inner demons.Fan Letters
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